Hungarian-born cinema production and set designer
Alexandre Trauner (seated)
Alexandre Trauner (born Sándor Trau ; 3 August 1906 in Budapest , Hungary – 5 December 1993 in Omonville-la-Petite , France ) was a Hungarian film production designer .
After studying painting at Hungarian Royal Drawing School , he left the country in 1929, fleeing from the antisemitic government of Admiral Horthy .[ 1] In Paris, he became the assistant of set designer Lazare Meerson , at the studios in Épinay-sur-Seine working on such films as À nous la liberté (1932) and La Kermesse héroïque (1935).[ 2] In 1937, he became a chief set designer.[ 3]
Trauner worked with director Marcel Carné for some years on such films as Port of Shadows (Quai des brumes , 1938), Le Jour se lève (1939), and Children of Paradise (Les Enfants du paradis , 1945). Trauner worked in hiding on Children of Paradise , which was filmed at the Victorine Studios in Nice during 1943 and 1944 during the Nazi's Occupation of France .[ 1] [ 4]
He worked with Billy Wilder on eight films between 1958 and 1978, including the sets for The Apartment (1960), on which he made use of false perspective, a characteristic of his work. For his work on this film, he won an Academy Award .[ 2] He also worked on John Huston 's The Man Who Would Be King (1975), Joseph Losey 's Don Giovanni (1979), and Luc Besson 's Subway (1985).[ 4]
In 1980, he was a member of the jury at the 30th Berlin International Film Festival .[ 5]