Ted Haworth Art direction
Haworth began working in the motion picture business as an illustrator, set designer, and assistant art director at Warner Brothers.[ 1] [ 2] His first screen credit as art director was in 1951 on Alfred Hitchcock 's Strangers on a Train .[ 1]
He earned his first Academy Award nomination for art direction on Marty (1955). His work on Marty has been described as "an extraordinary example of the monochrome world".[ 1] He won the Oscar for art direction two year later for his work on Sayonara (1957).[ 3] Writing in The New York Times , Bosley Crowther touted Haworth's work on Sayonara as "handsome Japanese surroundings—outdoor gardens, graceful, sliding-paneled homes and delicate teahouses, shown in colors of exceptional taste and blend."[ 1]
He was also nominated for the same award for his work on Some Like It Hot (1959), Pepe (1960), The Longest Day (1962), and What a Way to Go! (1964). His other notable works include Friendly Persuasion (1956), Invasion of the Body Snatchers (1956), Ride the Wild Surf (1964), The Beguiled (1971), Jeremiah Johnson (1972), and The Sailor Who Fell From Grace With the Sea (1976).[ 1]
Personal life and later years
Haworth had three marriages, to Miriam Severy, Hallie Stagner, and Anna Wackevitch. All three marriages ended in divorce.[ 4] He had four children: production designer Sean Haworth , pop artist Jann Haworth , and daughters Maria and Holly.[ 2]
From 1973 until his death in 1993, Haworth lived in Sundance, Utah .[ 1] He was in an automobile accident in December 1992 and developed a blood clot in his brain. He died three months later in February 1993, at age 75.[ 4] [ 5]
He was posthumously inducted into the Art Directors Guild Hall of Fame in 2009.[ 6]
Filmography
Southside 1-1000 (1950, production designer)[ 7]
Strangers on a Train (1951, art director)[ 1]
Flight to Mars (1951, production design)[ 7]
Aladdin and His Lamp (1952, production designer)[ 7]
Mutiny (1952, art director)[ 7]
Without Warning! (1952, production designer)[ 7]
I Confess (1953, art director)[ 7]
Carnival Story (1954, production designer)[ 7]
Down Three Dark Streets (1954, production designer)[ 7]
His Majesty O'Keefe (1954, art director)[ 7]
The Kentuckian (1955, production designer)[ 1]
Marty (1955, art director)[ 1]
The Naked Street (1955, production designer)[ 7]
Friendly Persuasion (1956, art director)[ 1]
Invasion of the Body Snatchers (1956, production designer)[ 1]
The Bachelor Party (1957, art director)[ 7]
Four Girls in Town (1957, art director)[ 7]
Sayonara (1957, art director)[ 1]
I Want To Live! (1958, set decorator)[ 1]
The Goddess (1958, art director)[ 7]
The Naked and the Dead (1958, art director)[ 1]
Some Like It Hot (1959, art director)[ 1]
Middle of the Night (1959, production designer)[ 7]
Pepe (1960)[ 1]
Who Was That Lady? (1960)[ 7]
The Outsider (1961, art director)[ 8]
Escape from East Berlin (1962, production designer)[ 7]
The Longest Day (1962, art director for the American sequence)[ 1]
Ride the Wild Surf (1964, production designer)[ 7]
What a Way to Go! (1964, art director)[ 7]
Wild and Wonderful (1964, art director)[ 7]
The Glory Guys (1965, production designer)[ 7]
Maya (1966, art director)[ 7]
The Professionals (1966, art director)[ 1]
Seconds (1966, art director)[ 7]
The Way West (1967, art director)[ 7]
Half a Sixpence (1968, production designer)[ 7]
Villa Rides (1968, production designer)[ 7]
The Kremlin Letter (1970, production designer)[ 7]
The Beguiled (1971, production designer)[ 7]
The Getaway (1972, art director)[ 7]
Jeremiah Johnson (1972, art director)[ 1]
Pat Garrett and Billy the Kid (1973, art director)[ 7]
Claudine (1974, production designer)[ 7]
Harry and Tonto (1974, art director)[ 7]
The Killer Elite (1975, production designer)[ 7]
The Sailor Who Fell From Grace With the Sea (1976, production designer)[ 1]
Telefon (1977, production designer)[ 7]
Somebody Killed Her Husband (1978, production designer)[ 7]
Bloodline (1979, production designer)[ 7]
When You Comin' Back, Red Ryder? (1979, production designer)[ 7]
Rough Cut (1980, production designer)[ 1]
Carbon Copy (1981, production designer)[ 7]
Death Hunt (1981, production designer)[ 7]
Jinxed! (1982, production designer)[ 7]
Blame It on the Night (1984, production designer)[ 7]
The Legend of Billie Jean (1985, production designer)[ 7]
Poltergeist II: The Other Side (1986, production designer)[ 7]
*batteries not included (1987, production designer)[ 1]
Mr. Baseball (1992, production designer)[ 1]
References
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 "Hall of Fame: Edward S. (Ted) Haworth" . Art Directors Guild. Retrieved September 15, 2020 .
1 2 3 "Oscar-winning art director, Ted Haworth, dead at 75" . UPI. February 23, 1993.
↑ "The 30th Academy Awards (1958) Nominees and Winners" . oscars.org . Retrieved July 23, 2011 .
1 2 "Oscar-winning art director dies at 75" . The Daily Herald . February 22, 1993. p. 16 – via Newspapers.com .
↑ "Ted Haworth, 75, an Oscar-Winning Art Director" . The New York Times . February 23, 1993. Retrieved November 5, 2018 .
↑ "Press Releases – Art Directors Guild: Art Director, Graphic Artist, Illustrator, Matte Artist, Model Maker, Digital Artist, Scenic Artist, Set Designer, Title Artist" . March 4, 2012. Archived from the original on March 4, 2012. Retrieved June 14, 2024 .
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 "Edward S. Hayworth Filmography" . American Film Institute. Retrieved September 15, 2020 .
↑ "The Outside" . TCM Classic Movies. Archived from the original on September 25, 2011. Retrieved September 15, 2020 .
External links
Interior Decoration (1927–1939) Black & White / Color (1940–1946)
1940 (bw): Cedric Gibbons and Paul Groesse / (c): Vincent Korda
1941 (bw): Richard Day , Nathan Juran , and Thomas Little / (c): Cedric Gibbons , Urie McCleary , and Edwin B. Willis
1942 (bw): Richard Day , Joseph C. Wright , and Thomas Little / (c): Richard Day , Joseph C. Wright , and Thomas Little
1943 (bw): James Basevi , William S. Darling , and Thomas Little / (c): Alexander Golitzen , John B. Goodman , Russell A. Gausman , and Ira S. Webb
1944 (bw): Cedric Gibbons , William Ferrari , Paul Huldschinsky , and Edwin B. Willis / (c): Wiard Ihnen and Thomas Little
1945 (bw): Wiard Ihnen and A. Roland Fields / (c): Hans Dreier , Ernst Fegté , and Samuel M. Comer
1946 (bw): William S. Darling , Lyle R. Wheeler , Thomas Little , and Frank E. Hughes / (c): Cedric Gibbons , Paul Groesse , and Edwin B. Willis
Art Direction–Set Decoration Black & White / Color (1947–1956)
1947 (bw): John Bryan and Wilfred Shingleton / (c): Alfred Junge
1948 (bw): Roger K. Furse and Carmen Dillon / (c): Hein Heckroth and Arthur Lawson
1949 (bw): Harry Horner , John Meehan , and Emile Kuri / (c): Cedric Gibbons , Paul Groesse , Edwin B. Willis , and Jack D. Moore
1950 (bw): Hans Dreier , John Meehan , Samuel M. Comer , and Ray Moyer / (c): Hans Dreier , Walter Tyler , Samuel M. Comer , and Ray Moyer
1951 (bw): Richard Day and George James Hopkins / (c): Cedric Gibbons , E. Preston Ames , Edwin B. Willis , and F. Keogh Gleason
1952 (bw): Cedric Gibbons , Edward Carfagno , Edwin B. Willis , and F. Keogh Gleason /(c): Paul Sheriff and Marcel Vertès
1953 (bw): Cedric Gibbons , Edward Carfagno , Edwin B. Willis , and Hugh Hunt / (c): Lyle R. Wheeler , George Davis , Walter M. Scott , and Paul S. Fox
1954 (bw): Richard Day / (c): John Meehan and Emile Kuri
1955 (bw): Hal Pereira , Tambi Larsen , Samuel M. Comer , and Arthur Krams / (c): William Flannery , Jo Mielziner , and Robert Priestley
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1957–1958 Black & White / Color (1959–1966)
1959 (bw): Lyle R. Wheeler , George Davis , Walter M. Scott , and Stuart A. Reiss / (c): William A. Horning (posthumous award ), Edward Carfagno , and Hugh Hunt
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1961 (bw): Harry Horner and Gene Callahan / (c): Boris Leven and Victor A. Gangelin
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1967–1980
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1973: Henry Bumstead and James W. Payne
1974: Dean Tavoularis , Angelo P. Graham , and George R. Nelson
1975: Ken Adam , Roy Walker , and Vernon Dixon
1976: George C. Jenkins and George Gaines
1977: John Barry , Norman Reynolds , Leslie Dilley , and Roger Christian
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