Career
Rais Khan belonged to the Mewati gharana (classical music lineage),[6] which is connected to Indore gharana[10][5] and the "beenkar baz gayaki ang" (singing style combined with rudra veena approaches) carried out by Rais Khan's father Mohammed Khan, a rudra veena player and a sitarist.[5] "Belonging to the Mewati gharana which goes back to the Mughal period, it produced famous singers Haddoo, Hasso and Nathu Khan, and later singers such as Bade Ghulam Ali Khan, as well as sitarists and sarod players."[5]
"The famous Indian sitar player Ustad Vilayat Khan is his maternal uncle who came to live with them when Vilayat's father died. Rais Khan denies there is any friction between them, contrary to the rumours that exist even today. He praises Ravi Shankar, said to be a rival too, as a brilliant musician who has introduced the sitar to the world."[5]
Despite his extensive meend work and the gandhar pancham sitar style he used, Rais Khan's alapi, gatkari and gamaki work was different in approach, pacing, and even technique, from the Etawah style. Amongst the khayal and dhrupad doyens, Rais Khan's gharana had the classical music lineage containing the masters Haddu Khan, Hassu Khan, Nathan Khan,[5] Bande Ali Khan, Babu Khan, Wazir Khan, Waheed Khan, Murad Khan, Latif Khan, Majid Khan, Nazeer Khan, Amanat Khan and Rajab Ali Khan of Dewas.[11]
As Rais Khan's mother was a singer and his father was a beenkar (veena player), a unique combination of khyal (the most popular classical vocal style), dhrupad (the older and more orthodox classical form) and thumri (lyrical semi-classical form) – 'angs' (approaches) developed in his playing.[12][5]
He gave his first public concert at Sunderbai Hall in the presence of the then Governor of Bombay Sir Maharaja Singh.[13][9] In 1955, Khan was chosen to represent India in the International Youth Festival in Warsaw, where 111 countries took part in the string instrument conference.[5] He has also performed at the Kennedy Center. While in India, he played film music for Talat Mahmood, Lata Mangeshkar, Mohammed Rafi and Asha Bhosle.[5] In India, he played a key role by his association with film composers like Khayyam, Madan Mohan which resulted in many super-hit songs.[8] He had toured extensively throughout the world.[9]
He was also a vocalist and was the first sitar player to record the super-hit song "Ghungroo Toot Gaye" for BBC London in 1978 as an instrumental song with the sitar.[5] This song was originally written by Qateel Shifai, music by Nisar Bazmi for a Pakistani film Naz (1969).[14] Like his uncle Vilayat Khan, whose music had exercised considerable influence on him, he often sang and demonstrated compositions on the sitar. Rais and Bismillah Khan (shehnai player) used to collaborate and perform together in live concerts as a duo,[8] like the one at India Gate in New Delhi on 23 November 2001.[15]
For sometime, Rais Khan stopped performing, but returned in the 1980s and was invited by Ali Akbar Khan to perform in California.
Rais Khan sometimes performed with his son Farhan,[8] as he did in a 2009 performance for Pakistan Television (PTV) produced TV show Virsa- Heritage Revived, accompanied by Tari Khan on tabla. In 2012, he performed at the Nehru Centre in Mumbai.[16] In 2014, he performed "Hans Dhuni" and "Mein Sufi Hoon" (with Abida Parveen) in season 7 of Coke Studio Pakistan.[17]
Death
After a prolonged illness, Rais Khan died on 6 May 2017 in Karachi at the age of 77. Among his survivors are his singer-wife Bilqees Khanum and four sons.[18][19][17] In 2012, one major Pakistani English-language newspaper commented about his declining health, "He proudly says that his decades old habit of smoking 115 cigarettes a day, which is the reason for his declining health, came to an abrupt end four years ago when the doctor ordered him to stop."[5]
Shortly after his death in 2017, National Academy of Performing Arts (NAPA) held a musical night in tribute to Rais Khan.[4]
On his death, Urdu writer Anwar Maqsood remarked that “God had given him a rare gift. His fingers had that rare touch.”[8] In a tweet, Indian singer Lata Mangeshkar called Khan “sitar ke jaadugar” (lit. magician of sitar).[4]
