The plot concerns a group of protagonists who want to destroy reason, by disposing of time and capturing the Sun.[1] The opera was intended to underline parallels between literary text, musical score, and the art of painting, and featured a cast of such extravagant characters as Nero and Caligula in the Same Person, Traveller through All the Ages, Telephone Talker, The New Ones, etc.
The audience reacted negatively and even violently to the performance, as have some subsequent critics and historians.[2]
Victory Over the Sun, ed. Patricia Railing, trans. Evgeny Steiner (London: Artists.Bookworks, 2009), 2 vols. ISBN978-0-946311-19-4
Victory Over the Sun: The World's First Futurist Opera (original Russian libretto, musical score, translation, critical and historical essays), eds. Rosamund Bartlett and Sarah Dadswell (University of Exeter Press, 2012). ISBN978-0-85989-839-3
Anfang Gut, Alles Gut - Actualizations of the Futurist Opera Victory Over the Sun 1913, eds. Eva Birkenstock, Kerstin Stakemier, Nina Köller. Contributors: Roger Behrens, Devin Fore, Anke Hennig, Oliver Jelinski, Christiane Ketteler, Avigail Moss, Nikolai Punin, Marina Vishmidt. Kunsthaus Bregenz; Bilingual edition (31 March 2013). ISBN978-3863351441