September of My Years is a 1965 studio album by American singer Frank Sinatra, released on Reprise Records in August 1965[7] on LP and October 1986 on CD. It was his fifth album collaboration with arranger Gordon Jenkins. Released shortly before Sinatra's fiftieth birthday in December of that year, September of My Years hearkens back to the ballad-oriented concept albums of his 1950s Capitol era, with songs that broadly explore themes of ageing, self-reflection and nostalgia.[2]
The album was released on CD on October 10, 1986. It was re-released and remastered on May 26, 1998, as part of the Entertainer of the Century series done together by Reprise and Capitol Records. That version is currently out of print. Concord Records reissued the album again, newly remastered on compact disc, on August 31, 2010. This version includes two bonus tracks, a live performance of "This Is All I Ask" recorded at Carnegie Hall in June 1984, and the single mix of "How Old Am I?" released in 1968.
Themes
September of My Years is a concept album exploring the "who am I" questions and perspectives that someone, particularly a man, faces upon entering middle age. For instance, in "It Was a Very Good Year," the narrator looks back upon his life at ages 17, 21, 35, and now, in his personal "September." The structure of the song, which lasts almost four and a half minutes, was highly unusual for a popular song of the time, as it exceeded most other songs of that era by more than a minute. In the process, the narrator "takes his time" to review his past relationships with a bittersweet mixture of satisfaction and regret. Similarly, in "Hello, Young Lovers," the narrator offers to young people the guidance and wisdom he has gleaned from experience. In other songs, like "The Man in the Looking Glass" and "Last Night When We Were Young," the narrator conducts an internal dialogue that reviews both the accomplishments and disappointments of his life. In addition to the lyrical content, the musical background reflects a more mature Sinatra than the Capitol recordings of the 1950s and his Reprise albums of the early 1960s. Instead of the big-band, "swing" arrangements with horn sections of those earlier songs, this LP features an orchestra with nine violinists. These strings provide a delicate interplay with the vocals, allowing the listener to easily hear and take in the lyrics.
