I think what happened was that I felt so foreign so often that I became very adept at observing. I learned a kind of short hand. Because you’re a foreigner, an alien really, you have to decode all of the customs and the manners, not just the language. So you begin to feel terribly detached which is not a good thing. And it had that effect upon my writing initially. You start this little dialogue with yourself about what things mean and then suddenly you’re 20-something-years-old and you’re continuing that dialogue on paper.[3]
Career
After graduation from high school, Baitz did not attend college, instead he worked as a bookstore clerk and assistant to two producers, and the experiences became the basis for his first play, a one-acter entitled Mizlansky/Zilinsky. He drew on his own background for his first two-act play, The Film Society, about the staff of a prep school in South Africa. Its 1987 success in Los Angeles led to an Off-Broadway production with Nathan Lane in 1988,[4][5] which earned him a Drama Desk Award nomination for Outstanding New Play.
Baitz wrote and directed the two-character play Three Hotels, based on his parents, for a presentation on PBS's American Playhouse, in March 1991. The cast starred Richard Jordan and Kate Nelligan.[8] He then reworked the material for a stage play, earning a Drama Desk Award nomination for Outstanding New Play.
His semi-autobiographical play A Fair Country was presented Off-Broadway at the Lincoln Center Mitzi E. Newhouse Theater in 1996. The play was one of the three finalists for the 1996 Pulitzer Prize for Drama.[9] The nominating committee said of the play "Written with sharp, pointed dialogue, peopled by vivid characters and played against an international setting of Africa, Europe and Central America."[10]
From 2002 to 2005, Baitz had considerable success writing freelance scripts for The West Wing and Alias. In the case of The West Wing, his first draft was so polished that Sorkin himself shot the episode “pretty much word for word.” In the summer of 2005, that glimmer of first draft perfection led to his position as creator and executive producer of the ABC TV drama Brothers & Sisters, which premiered in September 2006 and ran for five seasons, ending in May 2011.[citation needed]
In 2019, Baitz generated controversy when he became the first member of the WGA to defy the guild's directive that members fire their talent agents, amid ongoing negotiations with the Association of Talent Agents over the practice of packaging. Baitz defended his decision in a letter to the guild's leaders, stating that his agents at CAA had stuck by him during bad times, including both during, and after the 2007-2008 writers' strike.[16] Baitz, formerly a member of the Writers Guild of America, East, left and maintained financial core status.[17]
More recently, Baitz's work in television includes the NBC miniseries The Slap, which he wrote and produced. He wrote and executive produced FX/Hulu's Feud: Capote vs. The Swans with Ryan Murphy, with whom he also collaborated on Doctor Odyssey for ABC, Grotesquerie for FX/Hulu, and All's Fair also for Hulu and starring Kim Kardashian, which shoots in 2024.
Awards and recognition
Baitz has received a Rockefeller Foundation Award and a Drama Desk Award; he is a Guggenheim Fellow, and was a Pulitzer Prize finalist for A Fair Country.[18] In 1991, he won a Humanitas Award for the PBS-TV's American Playhouse version of Three Hotels[19] which he also directed.[18] He was also a Pulitzer Prize finalist for Other Desert Cities in 2012.
↑Fischer, Heinz-D. (ed.) PlaysChronicle of the Pulitzer Prizes for Drama: Discussions, Decisions and Documents, Walter de Gruyter, 2008, ISBN3598441207, p. 27