Technical detail
Compared to Quad, Type C had a smaller size, comparative ease of operation, and slightly higher video quality. 1-inch Type C is capable of "trick-play" functions such as still, shuttle, and variable-speed playback, including slow motion. 2-inch quadruplex videotape machines lacked these capabilities, due to the segmented manner in which it recorded video tracks onto the magnetic tape. 1-inch Type C VTRs required much less maintenance and used less power and space than did 2-inch machines.
1-inch Type C records composite video at a very high video quality that was superior to contemporary color-under formats such as U-matic, and of comparable quality to analog component video formats like Betacam and MII. Both analog component formats were notoriously fussy and trouble-prone, so in practice Type C gave a stable, more reliable picture than the broadcast quality analog cassette-based videotape formats. Because television was broadcast as a composite signal, there was no real downside to Type C in television broadcasting and distribution. It had approximately 300 lines of resolution,[1] and a bandwidth of 5 MHz, with recording being done with the heads moving across the tape at (a writing speed of) 25.6 metres per second (1,008 in/s),[2] for NTSC signals, and 21.39 metres per second (842 in/s) for PAL signals. As for linear tape speeds, type C VTRs could run at 24.4 centimetres per second (9.6 in/s) for NTSC, and 23.98 centimetres per second (9.44 in/s) for PAL.[3]
Type C VTRs can record a single complete video field in a single revolution of the drum, using a single video head, which made the format useful in computer animation and allowed for stills without frame stores or buffers. The tape is almost completely wrapped around the drum of the VTR in what is known as an omega wrap. Because the omega wrap only wraps the tape 346° around the drum, the vertical blanking interval of the video signal is lost, a problem solved by using a "1 1/2 head" system in which a secondary head scans or reads a narrow strip with the vertical blanking interval when the video head is not reading a video track on the tape.[4][5]
Sometimes in interlaced video a field is called a frame which can lead to confusion.[6] The NTSC and PAL formats recorded by Type C VTRs are interlaced video formats and thus there is a vertical blanking interval after every field of video.[7][8]
The format is almost immune to dropouts.[9] PAL Type C VTRs may have higher writing speeds to achieve higher bandwidth given PAL's 5–6 MHz bandwidth versus NTSC's 4.2 MHz. In practice, type C VTRs may have a bandwidth of 4.2 MHz for NTSC, and 5 MHz for PAL.[3] Type C VTRs may have flying video erase heads mounted on the drum, allowing for individual frames to be erased.[10] Some Type C VTRs could support reels with enough tape for 126 minutes of playback with NTSC, and 128 minutes with PAL, with 11.75 inches (298 mm) reels.[3]