Based on a cycle of seven short plays by Arthur Schnitzler, published in 1893 and first staged in 1910, The Gay Life focuses on womanizing playboy Anatol von Huber. The score is a mixture of traditional Broadway show tunes and operetta.
Owing to the new meaning which the term "gay" had acquired since the show's original staging, its title was changed to The High Life when it was presented in concert by the off-Broadway Musicals Tonight! in October 2005.[1]
Synopsis
In Vienna in 1904, Anatol von Huber is to marry Liesl, but his former mistress is discovered with him on his wedding day. In flashback Anatol remembers how he arrived at this circumstance.
Anatol, a confirmed bachelor and playboy, has decided the time has come to settle down and get married. His target is the sister of his best friend Max, the virginal Liesl, whose longtime crush on him makes her the likeliest candidate. But the young lady is determined to tame the philanderer and make him swear to be true to her before she accepts his proposal.
After meeting Anatol for the first time since she was a child at the marriage mart in Carlsbad, Liesl decides that Anatol is the man for her. However, as the guests waltz, Anatol leaves with the Frenchwoman Mimi.
When they meet again on Christmas Eve, Liesl tells Anatol how she feels, even though he is with Mimi.
Anatol learns that Mimi plans on leaving him, and he invents a story about his relationship with Liesl. Anatol does in fact propose, but Liesl is doubtful they will really marry. Her doubts seem to come true when his old flame, Magda, is found in his bedroom. Although Liesl declares that she will not marry him, he proposes again, and they marry.
Now I'm Ready for a Frau (Reprise) - Anatol and Max
Something You Never Had Before - Liesl
You Will Never Be Lonely - Frau Brandel, Herr Brandel and Ensemble
You're Not the Type - Anatol and Liesl
Come A-Wandering With Me - Magda and Male Dancers
I Never Had a Chance - Anatol
I Wouldn't Marry You - Liesl
For the First Time - Anatol
Critical response
Howard Taubman, reviewing for The New York Times, called the show "colorful, cheerful, and leisurely in an Old World way" and wrote: "The nicest of all the gemutlich...is Barbara Cook. As Liesl she conveys an enchanting blend of gentle simplicity and independent character. The integrity of her acting and her singing voice gives an oft-told sentimental story the credibility of human warmth."[3]
Recording
An original cast recording was released by Capitol Records (Capitol WAO 1560 and SWAO 1560) and later released on CD by Angel, then DRG. John Wilson, reviewing the album in The New York Times wrote that "relieved of the encumbrance of the book the score is sunny and lilting with extremely hummable songs."[4]
