The book Thug Life: Race, Gender, and the Meaning of Hip-Hop by Michael P. Jeffries states the song "provides a poignant example of the stylin' and tension between lavish stylistic tastes and financial straits... the Big Tymers describe themselves as 'hood rich' by virtue of their abilities to style rather than how much wealth they possess."[4]
In Yes WeCan!: Improving Urban School Through Innovative Education Reform edited by Leanne Howell, Chance W. Lewis and Norvella Carter used the song as an example of "three excerpts from popular rap songs by African American male artists that appeared on the Billboard Hot 100 Singles Chart over the past few years illustrate the type of lifestyle that is often showcased and promoted in the media."[5]
Greater Atlanta: Black Satire after Obama edited by Derek C. Maus and James J. Donahue states that "Big Tymers not only provided the language and template for stunting but also later illustrated, in Still Fly (2002), how rappers could still stunt even when they were broke. The entirety of Still Fly is a statement about faking a wealthy lifestyle..."[6]
↑Vibe. Time Publishing Ventures, Incorporated. 2003. p.105. "The producer extraordinaire entered the big time of commercial rap recognition with the Gilligan's Island-based "Still Fly".