Sleeping Hermaphroditus or Sleeping Hermaphrodite (also, "The Borghese Hermaphrodite") is an ancient Roman marble sculpture depicting Hermaphroditus life size; it rests on a marble mattress completed by Italian artist Gian Lorenzo Bernini in 1620.[1] The form is derived from ancient portrayals of Venus and other female nudes, and from feminized Hellenistic portrayals of Dionysus. This subject was widely repeated during the Hellenistic period and in ancient Rome, given the number of versions that have survived.
The Sleeping Hermaphrodite has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (working c. 155 BC);[2] the original bronze was mentioned in Pliny's Natural History.[3]
The sculpture was presented to Cardinal Scipione Borghese, who included the work in the Borghese Collection and commissioned the mattress. Gian Lorenzo Bernini, Scipione's protégé, was paid sixty scudi for making the buttoned mattress. It's likely that Scipione dedicated an entire room of the Villa Borghese to the sculpture.[4]
The sculpture was among the various artworks purchased by France while Rome was part of Napoleon's First French Empire. It was sold by Prince Camillo Borghese in 1807, who was married to Pauline Bonaparte, and was under significant financial strain due to the heavy taxation imposed by the French.[5] In 1809, the sculpture was transferred to the Louvre where it is currently on display.[1]
Several copies have been produced since the Renaissance, in a variety of media and scales. Among the most notable, is a full-size, bronze version ordered by Diego Velázquez for Philip IV of Spain. It was made by Matteo Bonuccelli in 1652 and is currently housed at the Prado Museum.[7] The sculpture clearly influenced Velázquez's painting of the Rokeby Venus, now at the National Gallery, London.[8]
Pointing to further popularity during the 17th century, there is record of John Evelyn purchasing a reduced-scale ivory version by François Duquesnoy in Rome around 1640.[4] In 1639, Giovanni Francesco Susini made a reduced-scale bronze copy, one cast of which is on display at the Metropolitan Museum of Art in New York. Susini went on to create two additional variations of the form in bronze; a cast of one was in the collection of Yves Saint Laurent and Pierre Bergé until sold in February 2009.[9]
In 1863, Algernon Charles Swinburne wrote a poem titled "Hermaphroditus," subscribed Au Musée du Louvre, Mars 1863, leaving no doubt that it was inspired by seeing the work at the Louvre.[10] The poem was published in 1866 in Poems and Ballads, Swinburne's first collection of poems.
↑According to Clark, the Rokeby Venus "ultimately derives from the Borghese Hermaphrodite". The Nude: A Study in Ideal Form. Princeton University Press. 1990. ISBN0-691-01788-3. p. 373, note to page 3. See also the entry in: MacLaren, Neil; Braham, Allan (1970). The Spanish School. National Gallery Catalogues (revised ed.). London: National Gallery. pp. 125–129. ISBN0-947645-46-2
Haskell, Francis and Nicholas Penny (1981). Taste and the Antique: The Lure of Classical Sculpture, 1600-1900. New Haven: Yale University Press.
Avery, Charles (1997). Bernini: Genius of the Baroque. London: Thames and Hudson. ISBN9780500286333.
Baldinucci, Filippo (2006). The Life of Bernini. University Park: Pennsylvania State University Press. ISBN9780271730769.
Bernini, Domenico (2011). The Life of Giano Lorenzo Bernini. University Park: Pennsylvania State University Press. ISBN9780271037486.
Mormando, Franco (2011). Bernini: His Life and His Rome. Chicago: University of Chicago Press. ISBN9780226538525.
Robertson, Martin (1975).A History of Greek Art, vol. I:551-52, New York: Cambridge University Press.
Wittkower, Rudolf (1955). Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. London: Phaidon Press. ISBN9780801414305. {{cite book}}: ISBN / Date incompatibility (help)
Mancinotti, Luca (2017). Ermafroditi dormienti Tipo Borghese. Rome: L'Erma di Bretschneider. ISBN9788891316134.