It depicts a scene in an English country lane, where a child holds open a gate for a passer-by on horseback. It has been suggested that the traveller, with only his shadow visible could be the local landowner, with the salute the boy is giving him adding a humorous touch to the scene.[1]
Barringer, T.J. Reading the Pre-Raphaelites. Yale University Press, 1999.
Roe, Sonia. Oil Paintings in Public Ownership in the Victoria and Albert Museum. Public Catalogue Foundation, 2008.
Wright, Christopher, Gordon, Catherine May & Smith, Mary Peskett. British and Irish Paintings in Public Collections: An Index of British and Irish Oil Paintings by Artists Born Before 1870 in Public and Institutional Collections in the United Kingdom and Ireland. Yale University Press, 2006.