Julio César Ernesto Fernández Larraz (born 12 March 1944) is a Cuban artist. He has lived in the United States since 1961.[2]:457 He first worked as a political caricaturist and cartoonist, signing his work Julio Fernandez. In the 1970s, he began to paint and changed his signature to Julio Larraz.[2]:457
White House Enemies or How We Made the Dean's List (Publisher: Signet / New American Library, 1973)
THE PERFECT WAGNERITE, A COMMENTARY ON THE NIBLUNG'S RING (Time-Life Records Special Edition, 1972)[24]
Why they call it politics: a guide to America's Government (Harcourt Brace Jovanovich, second edition, 1974) [25]
The Saturday night special, and other guns with which Americans won the West, protected bootleg franchises, slew wildlife, robbed countless banks, shot husbands purposely and by mistake, and killed presidents—together with the debate over continuing same (New York, Charterhouse, 1973)[26]
In 1976, Larraz's work was chosen for Exhibition of Works by Candidates for Art Awards at the American Academy of Art and Letters/National Institute of Arts and Letters, New York. In 1985 Foire Internationale d’Art Contemporain (FIAC) was seen at the Grand Palais, Paris; and in 1992 Exposición arte cubano: Pasado y presente obra importante was exhibited at Gary Nader Fine Art, Coral Gables, Florida.
Awards
In 1975, Larraz won the Cintas Foundation Fellowship from the Institute of International Education, New York.[28] In 1977, he was awarded the Acquisition Prize. Childe Hassam Fund Purchase Exhibition from the American Academy of Arts and Letters and Institute of Arts & Letters, New York.
Jose Veigas-Zamora, Cristina Vives Gutierrez, Adolfo V. Nodal, Valia Garzon, Dannys Montes de Oca. Memoria: Cuban Art of the 20th Century. California/International Arts Foundation, 2001. ISBN978-0-917571-11-4
Jose Viegas. Memoria: Artes Visuales Cubanas Del Siglo Xx. California International Arts, 2004. ISBN978-0-917571-12-1(in Spanish)
Edward Lucie-Smith. Julio Larraz. Skiro, Milan, 2003. ISBN88-8491-347-0