Career
Agar met Shirley Temple in 1943 when he was asked to escort her to a Hollywood party.[8]
After his marriage with Temple in 1945, her boss at the time, David O. Selznick, signed Agar to a five-year acting contract starting at $150 a week, including acting lessons.[9][10][11] Agar made his film debut as Temple's love interest in Fort Apache (1948),[12] a John Ford western for RKO starring John Wayne and Henry Fonda. It was a financial and critical success.[13]
Agar was reunited with Temple for his second film, a suffragette drama Adventure in Baltimore (1949), also for RKO, which was a huge flop.[13]
RKO used him in The Woman on Pier 13 (1950), an anti-communist drama that was a pet project of Howard Hughes. It was Agar's first movie without Temple, and he was billed after Robert Ryan and Laraine Day. It was another flop.
More successful was a reunion with Wayne and Ford, She Wore a Yellow Ribbon (1949), in which Agar played the romantic lead. It was a sizeable hit and has come to be regarded as a classic.[13] Even more popular was the World War II film Sands of Iwo Jima (1949) where Agar supported John Wayne. Made by Republic Pictures, it was a sizeable hit, earning Wayne an Oscar nomination and getting Agar some good reviews. Toward the end of his life, Agar blamed John Wayne for getting him hooked on cigarettes and alcohol, two addictive habits that would later ruin his life.[7]
Warner Bros put Agar in a war film, Breakthrough (1950) which relied extensively on pre-existing war footage. It was a reasonable success at the box office.[14]
Warner Bros used him in Along the Great Divide (1951), supporting Kirk Douglas. He made a low budget Arabian Knights film for Sam Katzman with Lucille Ball, The Magic Carpet (1951).
In 1952 Agar was fired by Selznick for driving under the influence of alcohol, which affected his career with the large studios in Hollywood.[15]
Agar was third billed in Woman of the North Country (1952), a Western for Republic, and also starred in Man of Conflict (1953), an independent drama with Edward Arnold.
Agar had support roles in Bait (1954), a Hugo Haas drama with Cleo Moore; The Rocket Man (1954), a Charles Coburn comedy co-written by Lenny Bruce; and Shield for Murder (1954), a film noir starring and co-directed by Edmond O'Brien.
Agar returned to leading roles in The Golden Mistress (1954), an adventure film directed by Abner Biberman.
In 1954 Agar signed a seven-year contract with Universal. He began the association with Revenge of the Creature (1955), the popular first sequel to Creature from the Black Lagoon (1954); it was produced by William Alland and directed by Jack Arnold. He was borrowed by Lippert Pictures for The Lonesome Trail (1955), then, at Universal, made a second film for Haas with Cleo Moore, Hold Back Tomorrow (1955).
Agar made another science fiction film, Tarantula! (1955), made by Alland and Arnold, which was popular and became a cult favorite.
Universal starred him in a Western, Star in the Dust (1956) with Mamie Van Doren and Richard Boone and produced by Albert Zugsmith. A new company, American International Pictures, borrowed Agar for a Western, Flesh and the Spur (1956) with Marla English and Mike Connors (billed as "Touch Connors"). Then he went back to Universal for The Mole People (1956), produced by Alland.
His contract with Universal ended when he complained that he was tired of only doing science fiction roles.[16] His final film with the studio was supporting Universal's Western star Audie Murphy in a comedy Joe Butterfly (1957).
He remained in demand for low budget science fiction, horror and Western films. He starred in The Daughter of Dr. Jekyll (1957) for Edgar G. Ulmer at Allied Artists, then made The Brain from Planet Arous (1957) for Howco International.
Agar starred in some low budget Westerns for Lippert's low budget Regal Films at Fox, Ride a Violent Mile (1958) and Frontier Gun (1958). He went to the Philippines to make Cavalry Command costarring Myron Healey (1958) and did two for AIP, Jet Attack (1958) and Attack of the Puppet People (1958). He shot a television pilot in 1958 that was released as a feature film Destination Space (1959).
He did Invisible Invaders (1958) for director Edward L. Cahn who had made Jet Attack.
Agar could be seen in Journey to the Seventh Planet (1962) and Of Love and Desire (1963). He joined he ensemble casts in several low budget films for producer A.C. Lyles that were released by Paramount Pictures; The Young and The Brave (1963) with Rory Calhoun, Law of the Lawless (1963) starring Dale Robertson and William Bendix, Stage to Thunder Rock (1965) with Barry Sullivan and Marilyn Maxwell, Young Fury (1965) with Rory Calhoun and Lon Chaney Jr., Johnny Reno (1966) with Dana Andrews and Jane Russell, and Waco (1966) with Howard Keel, Jane Russell and Brian Donlevy.
He made some films for Larry Buchanan at AIP that were originally meant as made-for-television-movies, Curse of the Swamp Creature (1966), Zontar, the Thing from Venus (1966) and Hell Raiders (1968). He had the lead in Women of the Prehistoric Planet (1966) and Night Fright (1967).
He had small parts in some studio films like The St. Valentine's Day Massacre (1967) with Jason Robards Jr. and Ralph Meeker, and three more pictures in a row with John Wayne: The Undefeated (1969), Chisum (1970), and Big Jake (1971).
His last prominent roles were small parts in King Kong (1976), Miracle Mile (1988) and Nightbreed (1990).
Legacy
As for being associated with science fiction B movies, Agar said, "I don't resent being identified with B science fiction movies at all." Agar later said, "Why should I? Even though they were not considered top-of-the-line, for those people that like sci-fi, I guess they were fun. My whole feeling about working as an actor is, if I give anybody any enjoyment, I'm doing my job, and that's what counts."[7]
John Agar has been referenced in multiple songs by various rock bands. Frank Zappa mentions Mr. Agar in the song "The Radio is Broken" from the 1983 album The Man From Utopia.
The Seattle band The Young Fresh Fellows recorded the songs "The New John Agar" and "Agar's Revenge" on the Topsy Turvy album in 1985.[31]
John Agar is also mentioned by lesser-known bands such as The Underpeople (Zontar, The Thing from Venus) and The Dead Elvi (John Agar Rules).
The television series Mystery Science Theater 3000 has featured several of Agar's films, including The Mole People, Women of the Prehistoric Planet and Revenge of the Creature.