Naskar joined the editing department of New Theatres Studios, Calcutta, in 1948 and worked with notable editors, including Hrishikesh Mukherjee and Subodh Roy. [1]He started as an assistant editor to Roy in Sen’s Baishey Sravana (1960).[9]
The award for best editing of 1980 is given to Gangadhar Naskar for his work in the Bengali film Akaler Shandhaney, recognized for a sensitive use of images, gradually building up the tempo of the film in a well-knit pattern, never permitting a slackening of pace, and underlining the entire film with a subdued sense of drama.[1]