A pioneer of the medium itself, Guardineer contributed two features to the seminal Action Comics #1, the comic book that introduced Superman.
Biography
Early life and career
Action Comics #8 (Jan. 1939), Guardineer's first comic-book cover.
Fred Guardineer was born in Albany, New York.[4] He acquired a fine arts degree in 1935, then moved to New York City, where he drew for pulp magazines.[4] The following year he joined the studio of Harry "A" Chesler, an early "packager" supplying comics features on demand for publishers entering the emerging medium of comic books. There he drew adventure features such as "Dave Dean" and the science-fiction feature "Dan Hastings" before going freelance in 1938.[4]
Guardineer's first known comics credits appear in several one- to three-page Western and comic-Western stories, and in spot illustrations for a text story, in Centaur Publications' Star Ranger #2 (cover-dated April 1937). Through that year, he continued writing and drawing such short features in a variety of genres in some of the medium's first comics, including Centaur's Star Comics, Funny Pages and Funny Picture Stories.[5]
Guardineer followed Sullivan to the editor's next venture, the comic-book company Magazine Enterprises, which Sullivan founded. There from 1949–1955, Guardineer drew writer Gardner Fox's Old West masked-crimefighter series The Durango Kid. In the late 1940s, he also drew for such Lev Gleason Publications comics as Black Diamond Western and Crime Does Not Pay.[5] In 1955, Guardineer retired from comics and worked 20 years with the U.S. Postal Service,[4][6] and during this time did wildlife illustrations for publications including The Long Island Fisherman.[6] He was a member of the Outdoor Writers Association of America.[6]
Popular-culture historian Ron Goulart called Guardineer
...a true nonpareil, an artist whose style was unmistakably his own. ... His style was almost fully formed from the start. He seems always to have thought in terms of the entire page, never the individual panel. Each of his pages is a thoughtfully designed whole, giving the impression sometimes that Guardineer is arranging a series of similar snapshots into an attractive overall pattern, a personal design that will both tell the story clearly and be pleasing to the eye....[7]
Comics historian Mark Evanier wrote that during Guardineer's years away from comics, Mad magazine writer and editor Jerry DeFuccio located him "and became the first of many collectors to pay what Guardineer considered tidy sums to re-create some of his old covers."[8] Guardineer again lost contact with the comics community until 1998, when a comics fan found him in northern California and convinced him to attend that year's Comic-Con International in San Diego, California. There, he was part of an Evanier-hosted panel "of every surviving person who'd had a hand in the creation of the historic Action Comics #1. [When presented with the convention's Inkpot Award,] Fred was confined to a wheelchair ... but with great effort, he insisted on standing as he made a brief but eloquent acceptance speech."[8] Guardineer later was a guest at WonderCon, in Oakland, California.[8]
123Bails, Jerry; Ware, Hames. "Guardineer, Fred". Who's Who of American Comic Books, 1928–1999. Archived from the original on April 1, 2012. Retrieved January 8, 2014.