Carlos Modesto "Botong" Villaluz Francisco (November 4, 1912 – March 31, 1969) was a Filipino muralist from Angono, Rizal.
Early life
National historical marker unveiled in 2024 outside Francisco's house in Angono, Rizal
Botong was a most distinguished practitioner of mural painting for many decades and best known for his historical pieces. He was one of the first Filipinomodernists along with Galo Ocampo and Victorio C. Edades who broke away from Fernando Amorsolo's romanticism of Philippine scenes. According to restorer Helmuth Josef Zotter, Botong's art "is a prime example of linear painting where lines and contours appear like cutouts."[2]
He was responsible for the discovery of the now famous Angono Petroglyphs in 1965. He was also involved in Costume Design in Philippinecinema.
His great works include portrayals of the Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo, Portrait of Purita, The Invasion of Limahong, Serenade, and Muslim Betrothal. Some of his murals have suffered big damage over the years. The "Pageant of Commerce" emerged from several years of restoration in 2000.[2]
12Francisco, Carlos Modesto (1989). Botong: Alay at Alaala. Coordinating Center for the Visual Arts of the Cultural Center of the Philippines. p.1. ASINB0006EWXAK.
12Alex Y. Vergara (July 24, 2000) "How to Save a Botong Francisco," Philippine Daily Inquirer
↑"Cultural Aim Behind New Arriva-Bayanihan Film Organization". Kislap Movies. June 1961. pp.124–25.