Benedict Mason, born on 23 February 1954, is a British composer.
Mason was educated at King's College, Cambridge (1971–75) and took a degree in film-making at the Royal College of Art (1975–78). He did not turn to composition until his early 30s, but his first acknowledged work, Hinterstoisser Traverse (1986), attracted attention from the European new music scene.[1] His early works are decidedly postmodern in inclination, with considerable use of stylistic irony (some commentators[weaselwords] have noted in these works a similarity to the music of Mauricio Kagel). Mason then developed an interest in polyrhythmic music, and in works such as his Double Concerto one can hear a stylistic affinity to the later works of György Ligeti.[1] More recent works have concentrated on the spatial dimension of music, such as in his Music for European Concert Halls series, and sometimes have come close to installation art.
Anon. (1994). “Playing Away”. 4. Münchener Biennale, 29. April – 22. Mai 1994. Münchener Biennale website (archive from 17 January 2014, accessed 20 August 2018).
Toop, Richard (November–December 2004). "Forschung, Formung, Fantasie: Der britische Komponist Benedict Mason". Neue Zeitschrift für Musik 165, no. 6:58–59.