Childhood/early life
Angela Jackson was born in Greenville, Mississippi, the fifth of nine children.[7] She grew up in the Englewood neighborhood on the South Side of Chicago, where her father, George Jackson Sr., and mother, Angeline Robinson Jackson, moved during the Great Migration.[7][8][9] She was raised as a Catholic.[9][10] As a child, Jackson regularly read books from Chicago's Hiram Kelly Branch library.[5] Jackson claims that she aspired to be a poet since before she was ten years old.[4][5]
Education
Jackson attended St. Anne's School, a Catholic elementary school.[4] Here, Jackson skipped fourth and fifth grade.[4] She graduated third in her high school class at Loretto Academy in 1968.[2] Jackson was accepted into Northwestern University with a scholarship to pursue pre-medical studies.[1]
At Northwestern, Jackson joined a Black student group called For Members Only (FMO), which exposed her to different art forms by Black students and professionals.[2] Her membership in the FMO caused her to join the Organization of Black American Culture (OBAC) with young black writers such as Haki Madhubuti (Don L. Lee), Carolyn Rodgers, and Sterling Plumpp in 1970.[2][3] This organization, created in 1967, fosters the development of Black Arts while promoting pride in Black heritage.[3][11] She worked as an editor of Nommo, the OBAC's journal publication.[12] It was during Jackson's time at Northwestern that she decided not to pursue a medical career but, instead, a writing career.[5] Jackson published her first book of poetry, Voodoo Love Magic, in 1974 as an undergraduate student.[4][13] She won an Academy of American Poets Award from Northwestern in 1974.[3][14]
In 1977, Jackson graduated with a B.A. in English and American Literature from Northwestern.[9][13] She graduated from the University of Chicago in 1995 with an M.A. in Latin American and Caribbean studies.[13]
Career
Jackson continued as a member of the OBAC after graduating from Northwestern and served as the organization's coordinator from 1976 to 1990.[3][5]
Jackson uses poetry as a form of resistance to social injustices.[14] She focuses on the importance of racial equality in her poems and other works.[13] Her writing also deals with other societal matters, such as homelessness, sexuality, and language.[13] Jackson believes that poetry can be used to call on people and systems of oppression to create change for a more equitable society.[14]
Although Jackson is best known for her poetry, she worked with other forms of writing, such as short stories and plays, in the 1970s and 1980s.[3][13]
Jackson, aside from her writing career, has held teaching positions at Kennedy-King College in Illinois, Columbia College Chicago in Illinois, Framingham State University in Massachusetts, and Howard University in Washington D.C., acting as a mentor for young writers.[4][5]
Influences
Jackson has had several influences on her writing career. In Jackson's time as an undergraduate student, poet Mari Evans mentored her.[5] Other members of the OBAC had a positive impact on Jackson's writing.[3][5] Hoyt W. Fuller, who preceded Jackson as coordinator of the OBAC, had an especially essential role in Jackson's development as a poet; Jackson even dedicated her first book of poetry, Voodoo Love Magic, to him, along with other OBAC participants and her family.[3][5]
